Gear Knowledge

Understand how gear shapes tone and find your ideal setup.

Tone Guide

Clean

Bright, clear tone for jazz, country, and pop.

Suggested: Fender Twin + Stratocaster

Crunch

Warm light distortion for blues and classic rock.

Suggested: Marshall Plexi + Les Paul

High Gain

Heavy distortion for metal and hard rock.

Suggested: Mesa Boogie + humbuckers

Ambient

Spacious, atmospheric tones for post-rock and ambient music.

Suggested: Vox AC30 + delay + reverb

Complete Signal Chain

Hover each stage to see details and tips

🎸
Guitar
β†’
🎯
Tuner
β†’
πŸ‘„
Filter/Wah
β†’
πŸ“Š
Compressor
β†’
πŸ”₯
Overdrive/Distortion
β†’
πŸŒ€
Modulation
β†’
⏱️
Delay
β†’
🌊
Reverb
β†’
πŸ”Š
Amplifier

This is the most common pedal order, but rules are made to be brokenβ€”try swapping positions to discover surprises.

Signal Chain Tips

Why does order matter?

Pedal order determines how effects interact. For example, wah before distortion is sharper, after distortion is smoother. Delay and reverb usually go last so they don't smear earlier effects.

FX Loop

Many amps include an FX loop so modulation, delay, and reverb sit between preamp and power amp. That keeps time-based effects clearer when the amp provides the distortion.

Tone Preset Recipes

Common signal chain setups for different styles

Clean Jazz

warm, smooth

Warm, round clean tone for jazz and fingerstyle

πŸŽΈπŸ“ŠπŸŒŠπŸ”Š
Guitar:Neck single-coil, volume around 7–8
Compressor:Light compression for sustain
Reverb:Spring or hall, moderate mix
Amplifier:Fender-style clean, lower treble, balanced bass

Examples:Pat Metheny, Joe Pass, Fingerstyle solo

Blues Crunch

warm, punchy

Warm light overdriveβ€”the perfect partner for bends and vibrato

🎸πŸ”₯πŸŒŠπŸ”Š
Guitar:Single-coil or P90, bridge + middle
Overdrive/Distortion:Tube Screamer style, low Drive, high Level
Reverb:Spring reverb, low mix
Amplifier:Fender or Marshall, edge-of-breakup

Examples:SRV, John Mayer, B.B. King

Classic Rock

powerful, full

Medium-gain, full distortion for riffs and solos

🎸πŸ”₯β±οΈπŸ”Š
Guitar:Bridge humbucker
Overdrive/Distortion:Stacked overdrive or medium distortion
Delay:Slapback or short delay
Amplifier:Marshall Plexi style, volume up

Examples:AC/DC, Led Zeppelin, Guns N' Roses

High-Gain Metal

ferocious, tight

Tight, aggressive high gain for metal riffs

πŸŽΈπŸ“ŠπŸ”₯πŸ”Š
Guitar:Active humbuckers, bridge pickup
Compressor:Optional for tighter feel
Overdrive/Distortion:High-gain distortion or boost the preamp
Amplifier:Mesa Boogie style, mids scooped or focused

Examples:Metallica, Megadeth, Djent

Ambient Post-Rock

ethereal, dreamy

Spacious, cinematic tone for post-rock and ambient

πŸŽΈπŸ“ŠπŸŒ€β±οΈπŸŒŠπŸ”Š
Guitar:Single-coil, neck or middle pickup
Compressor:Light compression for sustain
Modulation:Chorus or tremolo, slow rate
Delay:Long delay with multiple repeats
Reverb:Hall or shimmer, heavy mix
Amplifier:Vox AC30 style, clean or light drive

Examples:U2 (The Edge), Explosions in the Sky, Mogwai

Funk Clean

tight, punchy

Tight, snappy clean tone for rhythm guitar

πŸŽΈπŸ“ŠπŸ‘„πŸ”Š
Guitar:Single-coils, positions 2 or 4
Compressor:Medium compression for snap
Filter/Wah:Wah or auto-wah
Amplifier:Fender-style clean, bright treble

Examples:Nile Rodgers, John Frusciante, Prince

Country Twang

bright, cheerful

Bright, bouncy clean tone with signature twang

πŸŽΈπŸ“Šβ±οΈπŸŒŠπŸ”Š
Guitar:Telecaster bridge pickup
Compressor:Heavy compression for snap and sustain
Delay:Slapback delay (50–100ms)
Reverb:Spring reverb, moderate mix
Amplifier:Fender Twin style, clean

Examples:Brad Paisley, Brent Mason, Albert Lee

80s Shred

flashy, clear

High gain but clear for shred and neo-classical

πŸŽΈπŸ“ŠπŸ”₯β±οΈπŸŒŠπŸ”Š
Guitar:Bridge humbucker
Compressor:Light compression for sustain
Overdrive/Distortion:High gain while keeping clarity
Delay:Medium delay synced to tempo
Reverb:Hall reverb, moderate mix
Amplifier:Marshall or Mesa with focused mids

Examples:Yngwie Malmsteen, Steve Vai, Joe Satriani

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